Відео

Thanks man! I’m just a big gear nerd…

Thank you! Great to hear you’re acquiring gear to suit your needs (instead of buying a solution to find a problem, which is what some people do when they buy the top of the line controllers and realise they don’t need them).

It was all on 10 for this demo, but when I’m not on a time crunch I’ll roll back the volume to see what kind of granular volume control and its effect on the amp sounds are.

You're welcome! I'm glad it was helpful.

That's a great approach, to make sure the melodies don't compete against one another!

You're welcome! I'm using Tux Guitar, which is a free tab software. I screencap the tab playing and then sync it to the video (making sure I play what I tab!)

I took the time to read it, thanks for the input! I would have said that “worship guitar” is a style and “worship music” is a genre (applying the layperson’s conflating that “worship” is a style and a genre, which I disagree with but it’s convenient shorthand). If I misspoke during the video, I’m sorry for the confusion.

He endorses everything including triple rectifiers 🎸 but in all seriousness the Vox thing is more to cut through the mix with clarity. It could be any amp as long as the guitarist knows how to EQ properly. Vox amps just come out of the gate with that sound pre-dialed.

I love mixolydian! That b7 makes it sound like I should be playing with sunglasses on for the cool vibes

@@AllAboutWorshipGuitar one trick I’ve learned is mixing minor pen and mixolydian style hammer ones and pull offs. Plus it’s a great place to start for simple evocative lead lines.

Aw thanks for the vote of confidence. I wish I could teach well too!

@@AllAboutWorshipGuitar you truly do teach well but you inspire alot too and alot of people needs both. Thank you for that👍💪🏻

🙏

Because we let them buy the same bag in different colours!

@@AllAboutWorshipGuitar You have a point!

Haha, when he finally said how much the black Duo Jet was...yes, I hated him. "God bless eBay" indeed!

Silver! That’s a really cool colour, I wish Yamaha had given me a choice!

@@AllAboutWorshipGuitar apparently from what I hear the sliver is limited edition and exclusive to Europe

@@AllAboutWorshipGuitar I just so happened to pickup the last box at guitar center, opened it and it surprised me

Why hadn’t I discovered them earlier?!

Secret sauce to tone for days 😎

@@AllAboutWorshipGuitar exactly!! Makes it sound like a true record!

Thanks! I’m glad to be part of that journey of inspiration!

Thanks! You won’t regret it! Packs so much punch. Be sure to watch my full setup video that will take you through important settings: ua-cam.com/video/REWE6X5iSWk/v-deo.html

I really like them! Very different vibe from the usual P&W flavour (cough *STRYMON* cough), which is still inspiring. Their delays and reverbs still sound great when mono-summed!

Love your new digs Justin!

Admittedly my setup is with the wireless receiver so I’m not sure about TRS midi. Have you tried this video? ua-cam.com/video/8exZinln9fw/v-deo.htmlsi=VOjNSkvrdEXA0C3S

Leeland’s “Lion and the Lamb”!

@@AllAboutWorshipGuitar Thanks

Nope it doesn’t. Technically you’re just modifying code from a preset, and not meddling with any hardware.

Hi! I don't have a Volante, but I'm sure the application is still the same: make sure the transmitting device (HX Stomp) and the receiving device (Volante) are on the same channel, use the Strymon manual to figure out what CC changes which parameters, or PC changes which presets on the Volante. Is there a specific use case you'd like to see?

Thanks for the feedback. In subsequent videos I’ve just included instrument tracks without the click. I’ve realised only MD’s appreciate the click haha.

Our Lord Jesus, whom I honour with the notes I play.

The power of a great part!

Time to bust out the JS1200 for the crazier stuff!

The Indonesian import range of the A2 had different colours, like blue and black!

Confidence is indeed something difficult to teach, it’s one of those things that are “caught rather than taught”. The band that served in church when I was became a Christian modeled what it meant to give God our best even with limited resources. Oh boy did they dance and jump before the Lord!

Oh my I would LOVE to see that. I was from a Pentecostal church for about 4 years and served weekly, with fond memories of high worship moments.

Thank you for the kind words, and oh yes that's a very strong tendency. I love to liven things up, it's in my blood as a guitarist!

The request has been upvoted! I'd love to put training content like that together, it would be the first for my channel!

I know a drummer in a similar position and he tells me it’s a matter of being a good testimony to show his wife that his ministry is life-giving. Constant prayer and intercession, constant communication, but never pushing the Bible down her throat. His wife still isn’t a Christian but she doesn’t oppose his ministry, and that’s still a win. It’s a long journey!

I could call it...melodic instinct 😎

Amen and amen. The concept of “flow” has been around for a long time though. For as long as we’ve had Sunday services, pastors and worship planners have been concerned about how best to structure our time around the word and table.

Upvote noted, thanks! To be fair, it took me a long time to train the instinct. I had a jumpstart from playing in wedding bands where I had to learn entire setlists in matter of two-three weeks. By the 60th song, I could recognise patterns.

Jazz chords for Sunday service music, oh my! You must be in a pro church! My current church ministry would shudder at anything more than a m7. Funny story, I remember adding in a mM7 (minor major 7th) and my old keyboardist thought it was a typo on the chart, not realising it’s a legit chord.

Upvote noted! I’ll move that up my production pipeline.

Electric guitarists just love to fill in those spaces! For me that tendency came from Blues jams with call-and-response.

Hi! I think you should tune down to D but that might be a little too low tension. If you have an extra low E string, use that in place of an A string. The tension is just right when tuned down to D.

That’s almost like putting on a producer’s hat to hear what sounds would work (critical listening to dissect tone) which is indeed something very important.

There was a strange era of Gibson in the 2010’s until 2019. HP Les Pauls and SG’s had cool features like coil tapping and in 2019 they also had the HP4 circuit (the ridiculous push pull/internal dip switch system). The HP Explorers were more conventional, sporting the same hardware choices as the HP LP’s and SG’s but sticking to a familiar two humbucking, no coil splitting pickup set.

I got mine from Line 6 marketplace but he also hosts it on his website: www.rhettshull.com/collections/line-6-helix

Thank you! Ah, I don’t have resources other than I can share which TonePrints I use with each of the slots. Primarily I use the 2290 .1/8th on the Flashback, a 1/4 + .1/8th on the Vintage Delay, and “Room With A View” on the Hall of Fame.

@@AllAboutWorshipGuitar great, appreciate it!

@jmatthewcolburn Cheers! I haven’t had time to dive into the Tone Print software and tweak parameters under the hood, so I’ve just been loading Tone Prints and seeing if I vibe with them.